Voice Of Post

Bridesmaids Sequel. Due to an incompatible temperament and worldview, I think it’s fair to say that Judith Butler would make a terrible Hollywood executive. But the radical feminist thinker does have one thing in common with slick-talking producers and studio suits: both think of women with a sense of unease.

Not any individual woman, mind you; no single actress or ticket buyer. Nor any specific value that can be termed ‘feminine,’ which can be packaged in images and marketed as well as anything else. No, the apprehension is about women as a category – an amorphous group constituting more than half the population, but varying widely in terms of culture, class, age, geography, and desires. What do women want? It’s hard to answer when women are more easily defined not by what they are but by what they are not.

When I first reviewed Bridesmaids I was so swept up with Kristen Wiig's performance (the best film comedienne since Madeline Kahn) that there were few column inches left to talk about the other performances.

As I exited the SXSW premiere, however, I recall saying to friends that "if it were a just world, Melissa McCarthy would be starring in films of her own."

Well, there's nothing like a movie overshooting its estimates (it made $25 million at the box office this weekend) and receiving near-universal praise to make miracles happen.

Deadline reports that McCarthy is teaming with Bridesmaids co-writer Annie Mumolo on a quest movie to steal the Stanley Cup for her dying husband. The husband will be played by McCarthy's actual husband, Ben Falcone, who plays the object of McCarthy's affection in the soon-to-be-if-not-already airplane scene in Bridesmaids.